I enter dark temples. “I enter dark temples…” And

The symbolist work of the poet Alexander Blok was influenced by the Russian philosopher Vladimir Solovyov, especially his idea of ​​"Eternal Femininity". Therefore, the first poetry collection of Blok was called "Poems about the Beautiful Lady." This image is inspired by memories of the Middle Ages, chivalry.

One of the first poems was “I enter into dark temples...» Rhythm, melody, monotony and at the same time the solemnity of the sound involuntarily subjugate the reader. This state also corresponds to the inner mood of the lyrical hero: he enters high temple(not just a church!), set to meet the Beautiful Lady, whom he speaks of as something high, unattainable.

All the words that it is called can sound quite ordinary if you do not see how they are written. And they are all written with a capital letter, in addition, each is preceded by an epithet, giving the words-names the sameness and majesty: Beautiful Lady, Majestic Eternal Wife. Such a technique should take the reader's imagination away from the idea of ​​an ordinary beloved woman to the thought of the divine, unearthly, eternal. She is a dream, a saint and at the same time a sweetheart - an epithet that is hardly related to a deity.

The earthly and the divine intertwined, so the "two worlds" appeared. In Blok's poem there is reality, that is, a visible, tangible world: a temple with high columns, vaguely flickering red lamps near the icons, elegant, with gilded riza. Another world - unattainable, divine. But one detail seems alien in the poetic vocabulary of the poem - it is the "creaking of doors". However, it is justified because it conveys the feeling of the “squeak” itself as a hindrance that interferes with contemplation and expectation. Or maybe the "creak" connects two images and two expectations into one? The Heavenly Eternal Wife will descend and open herself to the spirit of man through illumination, but Darling can enter only through a real door.

Trembling at the sound of a creaking door is not irritation from interference, but a sign of impatience and timidity of a lover, hoping to see his earthly deity. One goes into another and it is difficult to distinguish where is reality and where is a dream and what it means:

Run high on the ledges
Smiles, fairy tales and dreams...

These words and images do not lend themselves to subject deciphering, but they act with their sound, emotionality, and the elusive content of the subtext of the poem. In them one can hear quiet joy, immersion in a vague but beautiful feeling. In the image beautiful lady some kind of double meaning opens up: for the hero, she is a symbol of something high and beautiful, about which the reader cannot definitely judge. Everything is shrouded in mystery, mystery.

Blok's early poems are not subject to logical analysis, but after reading "I enter the dark temples ..." it becomes clear to everyone that the author himself is absorbed in vague premonitions and expectations, aspires to eternity more than to immediate reality, lives in a world of dreams, like his hero.

Blok was fascinated by the idea of ​​V. Solovyov: there is an unchanging, eternal image of Love - "Eternal Femininity". It exists in another, higher, otherworldly world, then the network is imperishable and incorporeal, but it must descend, “descend” to the earth, and then life will be renewed, become happy and ideal. Attraction of souls to this higher beginning and there is love, but not ordinary, earthly, but, as it were, reflected, ideal.

In this idea of ​​the philosopher Solovyov, although it is religious and idealistic, the hope for the renewal of mankind has been preserved. For people who were ideally tuned, namely, young Blok belonged to such people, it was important that a person through love turned out to be connected with the whole world, and with something greater than herself. In the light of V. Solovyov's idea, personal intimate experience acquired the meaning of universality.

Therefore, Vladimir Solovyov with his idea of ​​"Eternal Femininity" turned out to be close to Alexander Blok, a dreamy and at the same time seriously thinking about life, about its deepest foundations. The fascination with Solovyov's ideas coincided with those years of his youth when Blok began to feel like a poet. It was at this time that he fell in love with Lyubov Dmitrievna Mendeleeva, his future bride and wife. Abstract philosophy and living life were so mixed and intertwined in Blok's mind that he attached a special, mystical meaning to his love for Mendeleeva. It seemed to him that she personified Solovyov's idea. She was for him not just a woman, but embodied the Beautiful Lady - Eternal Femininity.

Therefore, in each of his early poems, one can find a fusion of the real and the ideal, specific biographical events and abstract philosophizing. This is especially noticeable in the work "I enter the dark temples ...". There is a dual world here, and an interweaving of illusions with the present, abstraction with reality. In almost all the poems of the first volume, reality recedes before another world, which is open only to the inner gaze of the poet, before the beautiful world that carries harmony in itself.

However, many critics reproached the poet for the fact that "the myth found by Blok" shielded him from contradictions, doubts and threats to life. What did this mean for the poet? Listening to the calls of the "other soul" and joining in his own dreams to world unity, the World Soul, a person actually leaves real life. The struggle of the soul with reality will form the content of all subsequent Blok's lyrics: he himself combined his works into three volumes and called them "the trilogy of incarnation" or "a novel in verse."

• "Stranger", analysis of the poem

The name of Alexander Blok is known to many, and his work is popular even among modern youth. Perhaps this is due to the special "blok" style. The author began to write poetry in the best traditions of symbolism, his lyrical works are considered close to music in terms of "spontaneity of distribution." The author was deeply immersed in the understanding of social realities, religious trends. A terrible and ferocious world arose in front of him, in which a person had to survive. This was the tragedy of his contemporaries.

Blok surprisingly brightly knew how to combine simple life with mysticism. Everyday life and detachment in one poem - this is so characteristic of the author and his symbolism. And, analyzing the poem “I enter the dark temples”, all this can be seen.

Analysis Plan

To analyze the poem “I Enter Dark Temples,” you can use the usual plan. This will help to focus on the right points:

1. Author, history and time of creation, title of the poem.
2. Genre of the work, theme, idea and what it is about.
3. Composition and lyrical hero.
4. What artistic and literary means does the author use to reveal main idea in the work.
5. The size of the verse and the opinion of the reader.

In some cases, when analyzing the poem “I Enter Dark Temples”, instead of the reader’s opinion, they describe the meaning of the work in the author’s work. But if necessary, this can be indicated in the first paragraph. And now to business.

About creating a work

The poem "I Enter Dark Temples" was written on 10/25/1902. The constant author is Alexander Blok. The poet composed this work at a time when he was expecting a meeting with L. Mendeleeva, his future wife. In addition, at this time, Blok begins to get involved in the philosophical thoughts of Vladimir Solovyov. Solovyov said that you can get rid of egoism and know the beauty of the world only by falling in love with a woman and finding the divine principle in her. This idea impressed Blok very much.

The idea of ​​the Immutable Feminine became the key to his work. These ideas and the expectation of a long-awaited meeting were the basis for the creation of the poem.

What is the poem about

Analyzing the poem “I Enter Dark Temples”, it is difficult that this is a lyrical work, where love lyrics are combined with spiritual ones. Its main theme is the expectation of that one, Amazing Lady. The lyrical hero is tormented: he is not sure whether the one he is so desperately waiting for is his ideal. Will she really be everything for him: the World, the Muse, the Light?! But, nevertheless, he continues to wait, because he truly loves. That is why he goes to temples, because the feeling of love for him is something sacred, priceless and eternal, but at the same time something mysterious and enigmatic.

Main composition

When analyzing the poem “I Enter Dark Temples”, you need to carefully look at the compositional structure. First, the hero describes the place where the lyrical hero is located - the temple. It is a place of harmony, light and love, respectively, the image of the heroine is equated with something divine.

The second stanza can be considered the climax of the date. Using original colors and symbols, the author indicates the readiness of the lyrical hero to sacrifice everything for the sake of the Beautiful Lady. But he does not declare himself in any way, but is only ready to look after her from afar, as mentioned in the third stanza. Here the Lady is called the "Majestic, Eternal Wife", which speaks of a higher origin than the hero himself. But he does not need to hear her voice and it is not at all necessary to see her. It is enough just to know that it is present somewhere nearby.

Means of artistic expression

The work “Entering the Dark Temples” by Blok is saturated with mysticism and symbolism. What is the epithet "dark temple" worth. After all, the temple is a symbol of something light, but by calling it dark, the author plunges the reader into the world of mysterious mystery. In addition, it is worth paying attention to other equally significant epithets: “poor rite”, “pleasant features”, “gentle candles”.

The author supplemented the general concept of the poem with successful metaphors: “smiles, fairy tales and dreams run”, “an image looks”. In the lines of the work, inversion is also noted, for example, “I enter”, which gives the whole poem a kind of solemnity. In turn, exclamatory sentences clearly emphasize how much the hero is waiting for his Permanent, Beautiful Lady.

The size of the poem and the overall impression

The poetic meter "I enter the dark temples" contributes to the solemn sound of the work, giving it rebelliousness and anxiety. Here melodious and intermittent intonations alternate, moreover, it is almost impossible to determine one poetic size. The first line in rhythm resembles an iambic, the second is very close to an anapaest, and the size of the third is similar to amphibrachs. Only when analyzing “I enter the dark temples” can one understand that this is a tonic verse - dolnik.

All the talent of the poet can be clearly seen in one work. Feel his philosophy and worldview. The strength of the story, the selflessness of feelings draw in the imagination of a certain knight who is ready to wait forever for his Lady. And he will be happy only with the opportunity to know that she is near, because her image, so unattainable and sublime, cannot be tarnished with rude feelings. The reverent attitude towards the beloved, the solemnity of the moment that will allow her to see, and the desperate expectation, apparently, the poet showed much more, without even knowing it. And it is impossible to understand this work in a different way, because there are no hidden motives here: only symbols and selfless sincerity.

“I enter dark temples…” Alexander Blok

I enter dark temples
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering of red lamps.

In the shadow of a tall column
I tremble at the creak of doors.
And he looks into my face, illumined,
Only an image, only a dream about Her.

Oh I'm used to these robes
Majestic Eternal Wife!
Run high on the ledges
Smiles, fairy tales and dreams.

Oh, Holy One, how gentle are the candles,
How pleasing are Your features!
I hear neither sighs nor speeches,
But I believe: Honey - You.

Analysis of Blok's poem "I Enter Dark Temples..."

Love lyrics in the work of Alexander Blok are of key importance. And this is not surprising, since the 17-year-old poet, who experienced strong feelings for Lyubov Mendeleeva, managed to keep them for life. This woman was destined to become Blok's muse and his guardian angel. Even after fate separated this couple, the poet continued to love his ex-wife, helped her in every possible way and sincerely believed that they were made for each other.

For the first time, the image of Lyubov Mendeleeva appeared in the poet's poems dated to the last year of the 19th century. This period of creativity includes the creation of a cycle of works dedicated to the mysterious beautiful lady. Her prototype was the chosen one of the poet, who for a long time did not reciprocate his feelings. As a result, the young people broke up and did not see each other for several years, during which Blok recreated a cute image in his works with enviable regularity. The eyes, smile and even the voice of Lyubov Mendeleeva followed the poet everywhere. Blok even admitted that it looks like some kind of insanity when you try to find a familiar figure in a crowd of people, you notice a similar head tilt and even a manner of carrying a handbag in completely strange young ladies.

The poet did not tell anyone about his emotional experiences, however, what he felt after parting with the chosen one can be easily read between the lines of his works. One of them is the poem "I enter the dark temples ...", created in 1902. Its essence is that even in the image of the Mother of God, the poet seems to be beloved, and this fills his soul with double joy. It is difficult to judge how much everything written corresponded to reality, however, young Blok's acquaintances claim that at some point he became truly devout and rarely missed Sunday service. It can be assumed that with the help of prayer, the poet tried to drown out his mental pain and come to terms with the loss of a loved one. However, the author himself explains this behavior in a slightly different way, noting: "there I am waiting for the Beautiful Lady in the flickering of red lamps."

It would be foolish to count on the fact that it is in the temple that Blok will meet his pragmatic and freed from religious prejudices beloved. The poet understands this very well, but continues to visit the church. There, “an illumined one looks into my face, only an image, only a dream about Her.” Now there is no doubt that in the images of the “Magnificent Eternal Wife” the poet sees the features of the girl he is in love with. And this similarity fills Blok's soul with inexplicable joy, he believes that his love is a gift from heaven, and not a curse. And such an interpretation of such a strong feeling makes Blok not give it up, but, on the contrary, cultivate love in his heart, which gives him the strength to live. “I can’t hear any sighs or speeches, but I believe: Sweetheart is You,” the poet admits.

The romantic period in Blok's work, associated with the creation of the cycle "Poems about the Beautiful Lady", did not pass without a trace for the poet. Until his death, he was very respectful of women, considering them higher beings, more refined and vulnerable. As for Lyubov Mendeleeva, he truly idolized her and was even a little afraid that with his own feelings, rude and primitive, he could denigrate the soul of the one he loves so much. However, as practice shows, not every woman can appreciate such a reverent attitude towards herself. Lyubov Mendeleev was no exception in this regard, since she betrayed Blok more than once, falling in love with other men. However, after the death of the poet, she admitted that she was unfair to him and could not fully understand what kind of noble and sublime nature her husband possessed.

The poem “I Enter Dark Temples” became one of the first in the famous cycle “Poems about the Beautiful Lady”, which Blok himself considered one of the best stages of your creativity. Brief analysis“I Enter Dark Temples” according to the plan used in the 11th grade literature lesson will help students better understand this work.

Brief analysis

History of creation- the exact date of Blok's writing of this poem is known: October 25, 1902. Then the poet was passionately in love with his future wife L. Mendeleev.

Subject- the love of a lyrical hero who is waiting from his chosen one for the moment when she reveals the feminine essence.

Composition– the work can be conditionally divided into three parts. The first is the introduction, in which the hero doubts that his beloved is the one who embodies eternal femininity, but nevertheless looks forward to meeting her. The second part develops philosophical thought, at the same time emphasizing that the lyrical hero treats his beloved as if he were an ordinary woman. The conclusion is the last stanza, in which he again brings the invisible essence of his lady to the fore.

Genre- a combination of love and spiritual lyrics, inherent in the early poetic creations of Blok.

Poetic size- dolnik.

epithets – “dark temples”, “poor rite”, “Beautiful Lady”, “illumined image”, “Majestic Eternal Wife”, “gentle candles”, “pleasant features”.

Metaphors – “the image looks”, “the robes of the Wife”, “smiles, fairy tales and dreams run”.

History of creation

In the early period of creativity, Alexander Blok was very passionate about the philosophy of Vladimir Solovyov, and especially his teaching on eternal femininity. It made such a deep impression on the poet that one of his most famous poetic cycles - "Poems about the Beautiful Lady" - is completely based on it.

The same philosophical thought is also the basis of the poem “I Enter Dark Temples”, which Blok himself dated very accurately - October 25, 1902. At that time, the poet was passionately in love with Lyubov Mendeleev, who would later become his bride, and later - his wife. The girl was seen by him as the embodiment of that very eternal femininity. Blok attached a mystical meaning to his love, seeing in it a special feeling.

Subject

The main theme is love. The lyrical hero has passionate feelings for his chosen one, he sees in her his earthly goddess. Already in this work, the two worlds inherent in all Blok's work are manifested: there is a world that can be seen and felt, and the second is unattainable, divine. This is the second theme of the verse - philosophical.

In general, another feature of Blok's early lyrics is clearly manifested in it, when reality recedes before the illusory world. It is open only to the inner gaze of the poet himself and is invisible to no one else.

Composition

Compositionally, the poem can be divided into three parts. In the first - the beginning - the lyrical hero enters the "dark temples" in order to perform his rite. He has a little doubt that the woman he has chosen really embodies the eternal femininity, but he is in love, and therefore looks forward to meeting her.

The second part is the development of the main idea. The lyrical hero, no longer doubting, talks about the fact that he is given every day to come into contact with a real deity. On the one hand, he understands that his beloved is the embodiment of everything divine, which he cannot even imagine, on the other hand, he says that he is used to daily contact with a miracle, and this helps him think of his beloved not only as goddess, but also as a woman.

The work ends with the fact that Blok no longer emphasizes the earthly, but the sublime essence of his beloved. It embodies that high and beautiful that an ordinary person cannot comprehend.

Genre

On the one hand, it can be attributed to love lyrics, since the lyrical hero of this work speaks about his feelings, talks about what emotions his beloved evokes in him. On the other hand, a philosophical meaning is also embedded in the poetic lines, closely connecting them with the teachings of Solovyov. Thus, the work is an example of love-philosophical lyrics. As for the used poetic size, this is a dolnik. Thus, he makes his system agitated and even somewhat dissonant, conveying the feelings of the lyrical hero. Abstract vocabulary creates a high tone.

means of expression

To emphasize his idea, Blok uses a variety of expressive means. Among them:

• epithets- “dark temples”, “poor rite”, “Beautiful Lady”, “illumined image”, “Majestic Eternal Wife”, “gentle candles”, “pleasant features”.
• Metaphors- “the image looks”, “the robes of the Wife”, “smiles, fairy tales and dreams run”.

If you look at the syntactic structure of a sentence, you can see a lot inversions, for example, “I am entering”, “I am waiting”, and the like. This makes it solemn and measured.

For Alexander Blok, a woman was a creature endowed with divine power. Lyubov Dmitrievna Mendeleeva, the poet's wife, became for him a kind of muse, a guardian angel and a Madonna who descended from heaven. But another break with the woman he loved inspired the creator to write the poem "I enter the dark temples ...".

In 1902, Alexander Blok did not yet have the happiness to call Lyubov Mendeleev his wife. This was the period of his passionate love and interest in the ideology of V. Solovyov. The essence of this worldview was the exaltation of femininity and the divine essence of love for the weaker sex.

When Lyubov Dmitrievna parted with the poet, this plunged him into deep sadness. Alexander Blok himself called this period of his life insanity, because in every passing woman he looked for his beloved with his eyes. The break made him more devout. The writer did not miss Sunday services and often visited churches in the hope of meeting Lyubov Mendeleev. And so the idea of ​​the poem was born.

Genre, direction and size

“I enter dark temples…” can be called a love message, because the author describes the feelings and emotions that the image of his beloved evokes in him. But nevertheless, in this love letter there are also features of philosophical lyrics associated with the teachings of V. Solovyov.

The poem is written in the spirit of symbolism. In order to better convey the excitement and awe of the lyrical hero, Alexander Blok used a dolnik with a cross rhyme.

Images and symbols

The whole poem is permeated with the spirit of mystery. One of the main images here is the place of action - the temple. In this holy place, the lyrical hero, reading prayers, is waiting for a miracle: the appearance of his beloved. The temple in the context of this poem acts as a symbol of faith and hope.

The red light passes through the entire cycle of "Poems about the Beautiful Lady", dedicated to Lyubov Mendeleeva. It serves as a sign of passion and manifestation of that sublime love that Alexander Blok revered. The main speaker is the Beautiful Lady herself. She is the ultimate dream, the thought of happiness and eternal love. The poet himself is not afraid to compare her with the Mother of God, thus equating his beloved with the saints.

The lyrical hero is ready to worship the image of his "holy" love. He is full of awe and hope, faith and desire to achieve eternal and beautiful passion. His soul is disturbed and devastated, but he believes that the appearance of the Beautiful Lady will be able to resurrect him.

Themes and moods

The main theme, of course, is the love of the lyrical hero. He languishes with passionate feelings for his ideal lover. The motif of dual worlds inherent in the work of Alexander Blok (neighborhood of the real world and the secret incomprehensible) leads to a philosophical theme.

The poem seems to be covered with a mystical mystery. It inspires and captivates. The whole atmosphere is a hint, there is nothing real here. Everything is illusory.

main idea

The meaning of the poem is the need for love for the human soul. She can heal her or turn her to dust. Without it, man cannot exist. Pain, happiness - he is ready to endure everything, if only to love and be loved.

The main idea of ​​the work reflects the poet's worldview. If for Dostoevsky beauty saves the world, then for Blok it is only love. She moves everything and everyone. In it he saw the meaning of his life, and in each of his work only pure and holy passion gives hope.

Means of artistic expression

To recreate the necessary atmosphere, Alexander Blok uses epithets (dark temples, gentle candles, a poor rite, gratifying features).

They help to create dynamics and emphasize the emotionality of the personification (smiles, fairy tales and dreams run, the image looks). The author emphasizes the excitement of the lyrical hero with exclamations and rhetorical questions. The metaphor (of the Majestic Eternal Wife) hints at the sanctity of the image of the beloved.

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